Emma Rozanski's 3-channel video installation 'Walden [verb]' continues its journey →

Emma Rozanski's 3-channel video installation Walden [verb] continues its journey this month with screenings at these festivals/galleries:

FIC Autor, Guadalajara Jalisco – Mexico, October 2023

and

Festival Les Instants Vidéo, Marseille and Aix en Provence, France October 2023 – January 2024

https://www.instantsvideo.com/blog/video/walden-verb/

Their videopoetics friendships will also screen the work internationally at these places/dates:
   October, 20 -> 25 : Aknoon art Gallery & Safavi Museum, Ispahan (Iran) for 2 exhibitions
   October   (date to be confirmed): screening with Cairo Video Festival (Egypte)
   October, 18 -> 1er November : [.BOX] Videoart project space in Milan (Italy) for a screening-installation
   October, 18 -> 21 November: Visualcontainer TV (Italy) for a screening program available 24h/24
   November, 2 (6.30pm) : MMAG Foundation (Amman) and Medearts association (Irbid)  (Jordanie) for two screening programs followed by a conversation
   November 6 : French Institute in Palestine for a screening in the frame of Digital November: Gaza and Ramallah.

Earlier thsi year Walden [verb] also screened in these festivals [we forgot to post the news!]

March 2023: Ribalta Experimental Film Festival, Modena – Italy

April 2023: Wide Open Film Festival, Oklahoma – USA

Rozanski's A New Kind of Ray to play at Revolutions per Minute Festival in Boston →

Screening at the radical Revolutions Per Minute Festval in Boston, USA, Emma Rozanski’s 2-channel video installation ‘A New Kind of Ray’ will screen in program 1 - Codes and Archives - on Jan 31st 2020:

RPM Exhibition

Codes and Archives

Jan. 31, 11AM - 22PM

University Hall 4400

http://revolutionsperminutefest.org/

RPM Fest is dedicated to short-form poetic, personal, experimental film, video, VR, expanded cinema and audiovisual performance. We are looking for any work that experiments with the formal possibilities or hybrid form of film, video audiovisual, animation, expanded cinema and VR under 15 minutes. RPM Fest is sponsored by the Art Department and Cinema Studies Program at UMass-Boston.


The upcoming festival runs Jan. 31, Feb. 1st & 2nd, 2020.

Location:

-University Hall 2310 - Dorchester, MA, 02125
-8X77+CM Boston, Massachusetts


RPM 2020 Sponsored By:
Art Department of UMASS Boston
Cinema Studies of UMASS Boston

RPM 2020 Introduction by revolutionsperminutefest.org


At the onset of his landmark essay Towards A Minor Cinema, Tom Gunning quotes Deleuze and Quattari: There is nothing that is major or revolutionary except the minor.

For RPM 2020, we ask, what is “minor cinema” today and what can it do for us, our consumption of media, our relationship with the environment, our world?

For the second year, The Art Department and Cinema Studies Program at UMass Boston continue to host the festival. RPM 2020 received nearly double the amount of submissions compared to our inaugural edition. Drawing on a wide range of techniques and modes of filmmaking, ranging from avant-garde poetics, non-fiction, experimental animations and narratives to dance films, performances, and contemporary art practices, RPM 2020 brings together innovative efforts by over 160 artists, 122 pieces from 32 countries and territories. (Argentina, Australia, Belgium, Brazil, Bulgaria, China, Colombia, Cezch Republic, Denmark, Estonia, France, Finland, Germany, Hungary, Iran, Italy, Japan, Kosovo, Malaysia, Mexico, Montenegro, Netherlands, Portugal, Russia, Serbia, Singapore, South Africa, South Korea, Spain, Sri Lanka, United Kingdom, and United States.)

Featuring 107 short films, 5 audio-visual live performances, a documentary feature film, and 9 installations in the exhibition area, the selection of RPM 2020 remains loyal to the experimental spirit and intimacy of personal filmmaking. Among the highlights of the 11 programs of experimental shorts, Let’s Look at Florida (Hogan Seidel) and Porto Landscape (Michael Lyons) speak to our contemporary anxieties over environmental disasters while testing the boundary of the film medium; Toni and Bleri (Katja Verheul) portrays the physical and psychological turbulence caused by the migratory policy of Europe; MUÑE (Catalina Jordan Alvarez) playfully disrupts ethnographic and gender stereotypes; Vesuvius At Home (Christin Turner) ruminates on our encounters with destruction; the essay film of Sky Hopinka (Lore), Mike Hoolboom & Alena Koroleva (Wax Museum), and Ei Toshinari (…And So We Start Again) are lyrical wonders to behold; Abiding (Ugo Petronin), Amusement Ride (Tomonari Nishikawa), and Valpi (Richard Tuohy) brilliantly address the formal essence of cinema in light, time, and movement; Simon Liu’s E-Ticket, which is included in the New Frontier Shorts Program at Sundance Film Festival 2020, is an astonishing collage made out of 16,000 splices of his personal archive.

Dance film 'On the Motion of the heart and the blood' to screen in Brazil at 4 edição do IMARP →

18th - 23rd November 2019 - Emma Rozanski’s experimental dance installation, ‘On the Motion of the Heart and the Blood’ (made for the International Museum of Surgical Science Chicago during her Artist Residency there in 2018), will screen in Sao Paolo, Brazil as part of the International Festival of Dance - Images and Movement. The video will screen in its single-channel form (it was originally screened as a two-channel installation).

IV IMARP - Mostra Internacional de Dança - Imagens em Movimento

4 edição do IMARP - Mostra Internacional de Dança - Imagens em Movimento - Vídeo Dança.

OBRIGADO A TODOS. PARABÉNS AOS SELECIONADOS E ENTRAREMOS EM CONTATO.
Vida longa a Vídeo dança
#somosrediv

A word from the Festival Director, Denise Matta:

Boa noite a todos.
O IMARP 2019 - Mostra Internacional de Dança - Imagens em Movimento na cidade de Ribeirão Preto / SP / Brasil, vem agradecer a sua inscrição e participar do seu trabalho na Mostra Internacional. Recebemos nesta 4ª edição um total de 575 incrementos, ou seja, um privilégio, uma satisfação da imensa gravação de vídeos rodados, mas como selecionar alguns dos meus estudos interessantes. Nossos curadores, que já fazem aqui os nossos agradecimentos: João Pirah, diretor do Coletivo dos Sonhos, São Paulo / Brasil, Melisa Canãs da Festival Internacional de Danza Córdoba Córdoba e Ladys Gonzales do Projeto Corporativo Expandido de Buenos Aires, pertencentes à Argentina Rediv - Rede Iberamericana de Vídeo, qualifique o IMARP também é membro.
Voltando aos selecionados, chegamos à seguinte conclusão: dos 575 inscritos, selecionamos 90 obras que passarão 5 dias no evento.
Agradecemos imensamente como inscrições em 2019 e esperamos seu trabalho na próxima edição.
Grata
Denise Matta - Diretora Geral e artística do IMARP 2019.

Good evening everyone.
The IMARP 2019 - International Dance Show - Images in Movinento in the city of Ribeirão Preto / SP / Brazil, thanks you for your registration and interest in taking your work to our International Exhibition. In this 4th edition we received a total of 575 entries, which was a privilege, the satisfaction of the huge amount of videos played, but how to select some in mine of so many interesting works. Our curators, which I already thank you here: João Pirah Director of the Dream Collective, São Paulo / Brazil, Melisa Canãs of the International Cideodanza Show of Cordoba and Ladys Gonzales of the Proyecto Corporalidad Expanded of Buenos Aires, both from Argentina, active members of the Rediv - Ibero-American Videodanza Network, of which IMARP is also a member.
Returning to the selected, we reach the following conclusion: of the 575 subscribers, we selected 90 works that will pass on the 5 days of the event.
Thank you very much for the 2019 entries and look forward to your work in the next issue.
Thankful
Denise Matta - General and Artistic Director of IMARP 2019.

Buenas noches a todos.
El IMARP 2019 - Show Internacional de Danza - Imágenes en Movinento en la ciudad de Ribeirão Preto / SP / Brasil, gracias por su registro e interés en llevar su trabajo a nuestra Exposición Internacional. En esta cuarta edición, recibimos un total de 575 entradas, lo cual fue un privilegio, la satisfacción de la gran cantidad de videos reproducidos, pero cómo seleccionar algunos de los míos de tantas obras interesantes. Nuestros curadores, que ya les agradezco aquí: João Pirah Director del Dream Collective, São Paulo / Brasil, Melisa Canãs del International Cideodanza Show of Cordoba y Ladys Gonzales del Proyecto Corporalidad Expanded de Buenos Aires, ambos de Argentina, miembros activos del Rediv - Red Iberoamericana de Videodanza, de la cual IMARP también es miembro.
Volviendo a lo seleccionado, llegamos a la siguiente conclusión: de los 575 suscriptores, seleccionamos 90 obras que pasarán los 5 días del evento.
Muchas gracias por las entradas de 2019 y esperamos su trabajo en el próximo número.


Agradecido
Denise Matta - Directora general y artística de IMARP 2019.

Moving_Image_00:06 Chicago screens Rozanski's 'A New Kind of Ray' →

Moving_Image_00:06 will be hosted by Dfbrl8r on October 27th. Doors open at 6.30pm.

@moving_image_0000 is happy to announce the participating artists for our sixth screening, guest curated by @photoandkioto alongside Directors @santina_amato and @skskaggs
.
Emma Rozanski
@aparticularfilm
Caitlin Ryan
@vito_montana_69
Ally Fouts
@ally.fouts
Lisa Barcy
@lbarcy
L Koo
@catatonicrobots
Morgan Green
@howshekilledit
Pamela Hadley
@nosleeptillinstall
Lia Call and Harvey Hayes
@girldick69 @goodboy.baddog
Marina Resende Santos
@nosleeptillinstall
Kandis Friesen
@marinaresende.s
.
.
Moving_Image_00:06 screens on October 27th at @dfbrl8r

About Kioto (Moving_Image_00:06 Guest Curator):
Kioto Aoki is a visual artist whose practice includes photography, film, books and installations to explore different modes of perception. Using the nuances of time, space, form, light and motion, engage the material specificity of the analogue image and image-making process.

About Dfbrl8r Gallery (Moving_Image_00:06 Hosting Organization):
DFBRL8R [also known as. Defibrillator Gallery or dfb] was formed in 2010 as a platform for Performance Art. Contextualizing performance within the realm of visual art, DFBRL8R embraces those who look to the body in concert and conversation with time, space, object, nature, architecture, or society.

About Santina (Founder & Director):
Santina Amato is an Australian born multi-disciplinary artist, receiving an MFA from the School of Art Institute of Chicago in 2017. Her video works have been screened at ExFest Film & Video Festival, Chicago, Brooklyn Public TV, New York, Hatched Northside Film Festival, New York and The International Women’s Day Video Screening, Australia. She is currently working on an ongoing portrait photographic and video series supported by the 2019 DCASE IAP Grant.

About Sarah (Co-Director): Sarah Kathryn Skaggs is an independent administrator, organizer, and curator in Chicago. Currently overseeing program development for Chicago-based performance collective Every house has a door and assisting with the forthcoming Goat Island Archive Exhibitions in Spring of 2019 at the Chicago Cultural Center. She completed her MA Arts Administration and Policy at the School of the Art Institute of Chicago (SAIC) in 2016 and graduated Magna Cum Laude from the University of Missouri with BA in Art History and an BS in Business Administration (2007).
About Moving_Image_00:00

Since it's launch in the Fall of 2016, Moving_Image_00:00 has presented the moving image works of 62 artists and five collaborative teams, showcasing works by Chicago-based artists through an open call. Moving_Image_00:00 is hosted at various galleries across Chicago and is a biannual festival that defines itself as a festival of all forms of the moving image, unique to that of a film festival. From digital and hand drawn animation to polished short films, gifs to experimental performance for video, Moving_Image_00:00's mission is to celebrate and create public screening opportunities for local artists.

Gonzalo Escobar Mora & Emma Rozanski to exhibit at No Nation, Chicago - Sat 28th Sep →

Our Emma Rozanski and Gonzalo Escobar Mora will have an exhibition of their short films and video art at The No Nation Gallery and Unspace Lab in Wicker Park, Chicago, Saturday 28th September 2019 from 6:44pm. They will be screening a selection of short film and some video art works, which will also be accompanied on the night by performances by local artists.

EVENT INFO:

https://www.facebook.com/events/674657989686256/

Experimental film 'Sutures of a Landscape' selected for Bali International Short Film Festival →

Emma Rozanski’s single-channel video art film ‘Sutures of a Landscape’ will screen in the experimental section of MINIKINO FILM WEEK - Bali’s International Short Film Festival - 5th to 12th October 2019

The film - a handmade landscape of wildlife observed from dusk to dawn - was made during her artist residency at Chicago’s International Museum of Surgical Science, using shadow puppets created from antique surgical tools and apothecary objects from the Museum’s collection - the soundscape was also using these same objects.

Festival website: http://minikino.org/filmweek/

SCREENINGS:

·         OMAH APIK, Monday 7/10, at 19:15:00 WITA / GMT +8

·         UMA SEMINYAK, Tuesday 8/10, at 18:30:00 WITA / GMT +8

Rozanski's video art piece screens in Durham tomorrow! →

‘A New Kind of Ray’ screens on Weds 24th July 2019 at The Station House in Durham, UK as part of PROJECT/POETRY is Broken - a night of video projection and spoken word.

DETAILS HERE

Join Lee and Alex, the writer and artist-in-residence at Josephine Butler College, for a spoken word and video projection evening at The Station House on Wednesday 24th July from 7pm.

In collaboration with the Middle Common Room of Josephine Butler, the night will showcase the very best of visual artists and spoken word performers responding to the theme of 'perspective'.

Experimental Films and Video Poems to screen 'A New Kind of Ray' →

Emma Rozanski’s video installation ‘A New Kind of Ray’ has been invited to be part of AT THE FRINGE film screenings 2019 - a festival of Experimental Films and Video Poems

When/Where: TRANÅS, SWEDEN

INTERNATIONAL 2

Monday, 1st July - 18:00h

Wednesday, 3rd July - 11:00h

www.facebook.com/events/622884411564507/

Festival Dates: 29 June  – 4 Jul

Website: https://www.atthefringe.org/film

About:

at the Fringe

INTERNATIONAL ARTS FESTIVAL

29 JUNE - 6 JULY 2019

TRANÅS, SWEDEN 

ENG / For eight days in July, practitioners from Sweden and other countries working with different disciplines (visual art, literature, dance and film) will meet and conduct around 70 events. The festival is a free-entrance event, held once-a-year and it is now at its sixth edition!

SWE / Under åtta dagar i juli kommer utövare från Sverige och andra länder från olika discipliner inom konst, litteratur, dans och film att träffas och genomföra runt 70 evenemang. Festivalen är årligt återkommande och den sjätte!

Follow the festival events here:

Artiklar

 (in Swedish)

Bistrik7 mentor Béla Tarr to show new work in Vienna →

Bistrik7 are so very excited and our hearts are so very warmed by the announcement that our beloved mentor, Bela Tarr from our film.factory family, is presenting a new work:

Béla Tarr: Missing People

DATES

Thu, 13. June, 6.00pm , 9.00pm 
Fri, 14. June, 6.00pm , 9.00pm 
Sat, 15. June, 6.00pm , 9.00pm 
Sun, 16. June, 6.00pm , 9.00pm

LOCATION

Halle E im MuseumsQuartier 
Museumsplatz 1, 1070 Wien

On 15 June both screenings of Missing People by Béla Tarr offer free admission to everyone who can present a current issue of the Viennese street newspaper Augustin.
Subject to availability, tickets can be obtained on 15 June from the evening box office in the foyer of Halle E+G at MuseumsQuartier.

FESTWOCHEN EXTRAS

Masterclass with Béla Tarr
Talk with Béla Tarr and Jacques Rancière

INTERVIEW

About the piece:

Vienna is the city with the highest quality of living in the world – this was confirmed yet again in 2018. But the city’s immaculate façade made of Habsburg splendour, Sacher torte and snow-white Lipizzaner horses is only half the story. Many inhabitants do not fit into this picture and are hidden from sight owing to poverty and social hierarchies. Béla Tarr’s Missing People makes them visible again. Tarr’s magnum opus, Sátántangó, is widely regarded as one of the most important works in film history. And according to his director colleague Gus Van Sant, the Hungarian comes closer to the actual rhythm of life than virtually any other filmmaker. This is also true for his new project, which is his first time directing after a long creative break. Using just a few shots, Tarr shows these invisible people in the kind of place to which they would normally have no access. This work, created in the intersection of film, installation and performance, will be presented exclusively during the Wiener Festwochen – at the filming location itself. While the visitors remain amongst themselves, only traces of the protagonists are left behind. A powerful plea for humanity.

(courtesy of https://www.festwochen.at/en/programme/programme/detail/missing-people/ )

Labocine - Science/Art Digital Magazine →

Emma Rozanski’s 2-channel video installation ‘A New Kind of Ray’ is screening in the May issue of LABOCINE, titled: Body Images. You can watch the film throughout May, along with other science/art films from around the globe.

Link to the video: https://www.labocine.com/film/2219

Link to the current issue as a whole: https://www.labocine.com/film/2219

About the Issue: Our skin is a complex organ. It is a membrane, a thin dividing surface between our bodies and all that lies within us and the exterior world without, a protective container for the fluid memory of the seas we carry within us. It is also a direct interface between the two: it conveys tactile information to our nervous systems and identifying information to others around us. Thus it both partitions and connects. Though the skin is undeniably of vital importance, the ways in which it is important shift with social changes: the meanings attached to skin and physical attributes are not fixed. And where lies identity, then, within or on our surfaces? In the brain, the consciousness, or even the microbiome? The films in this issue seek out identity and body as they move back and forth across the barrier of the skin, from our sun-buffering melanocytes to our particular neurochemistries, visiting in the process the many other meanings invested in our bodies: desire and reproduction, health and disease, life and death, yoga class and beach.

About Labocine: Labocine is an Imagine Science Films initiative to extend film programming to a broader and more diverse audience. They have over 1,500 film titles from 200 countries for all ages brought to you by artists, scientists, filmmakers and educators.

Roman Susan Gallery and Wedge Projects screen Rozanski's experimental dance film →

‘On the Motion of the Heart and the Blood’, an experimental dance film by Emma Rozanski, made as part of The International Museum of Surgical Science’s Summer/Autumn Residency 2018, will screen in Chicago in a group video show at The Roman Susan Gallery and Wedge Projects streetlight space.

Works will be on two monitors at Wedge 24/7, and projected at Roman Susan after dark – both sites visible from the street when the spaces are closed. Video will be on view at Wedge May 6-26, at Roman Susan May 7-24. Both sites will be playing video on random shuffle. 

'A new kind of ray' to screens in the No Flash Video Show →

Emma Rozanski’s video installation ‘A New Kind of Ray’ will screen at the No Flash Video Show - MAY 3-4 - New Jersey - FREE EVENT

Dedicated to showcasing ambitious new works by emerging filmmakers and time-based artists, NOFLASH 2019 will feature 29 works from 11 countries, in three avant-garde short film programs – Corporeal Considerations, Autobios & Animations, and Pensive Portraiture – as well as a popup video art exhibition, and a reception with performances. Reserve your free tickets and learn more at NOFLASHvideo.org. Sponsored by the Rutgers Filmmaking Center and the Zimmerli Art Museum at Rutgers University.

This video installation was originally created during Rozanski’s artist residency at Chicago’s International Museum of Surgical Science and exhibited there in her solo exhibition in November 2018. It features narration by Darryl Foster.

On the Motion of the Heart and the Blood in Chicago's STREETLIGHT exhibition →

Our Emma Rozanski’s dance-video installation ‘On the Motion of the Heart and the Blood’ will be exhibited in Chicago next week (4/8 - 4/14) as part of the Roman Susan Gallery’s STREETLIGHT series at Wedge Projects (Howard Street).

The work will be projected in the window of the gallery 24/7 during the week 4/8 - 4/14 , along with a piece by Tracy Miller-Robbins - so put on your spring walking shoes and take a stroll on by Chicago (it’ll be visible from the street). 

ON THE MOTION OF THE HEART AND THE BLOOD was originally made during Rozanski’s Artist Residency at Chicago’s International Museum of Surgical Science in 2018. The piece was also photographed by @Bistrik7 ‘s Gonzalo Escobar Mora, and performed by Sienna Broglie and Steveie Stevens of SAIC.

Streetlight at Wedge Projects, 1448 West Howard Street, Chicago, IL, USA
January 7, 2019 - May 26, 2019